Where to get old K-14 movie film, that was exposed in the 1970's, developed in color?

Question

I have 2 rolls of K-14 movie film that have sat undeveloped since the mid 70's. Who can develop this now in color?
These undeveloped home movies  have apparently sat in the can unprocessed since about 1974 or so.  (I expect there may be some fading if developed from age.)
I understand that Kodak discontinued the chemicals for processing this film and the last K-14 film to be commercially processed in color was in 2011. I have read online that people, Kelly-Shane Fuller, have attempted to recreate the processing.  (He apparently only works with still photography.)
I also read about Adrian Cousins, who posts here occasionally, developing Kodachrome movies in color.
Since the process was created by someone working in a photo lab by hand, it can obviously  be replicated.
How do I get in touch with Adrian Cousins or someone else who can process my family film?

Zeiss Ikon · Answer

The canonical answer is that these can only be developed as black and white, negatives or reversal positives, outside of experimental processes that I wouldn't recommend you try with your home movies.
Beyond that, however, there's the issue of remjet.  The remjet antihalation layer isn't terribly difficult to remove on fresh-dated films like Visions3 (which is fairly often used by still photographers, even without Cinestill's "premoval" treatment).  My experience, however, is that removing the remjet from older film is more prone to problems, especially if you intend to use a reversal process to get positive film you an project.
There are labs around that offer B&W negative process for older color films, and can handle remjet reliably for Kodachrome stills; the processing is expensive and slow, but unlikely to further damage your film the way an experimental Kodachrome process might.
The other advantage of a B&W negative process is that age fogging (almost certain in your case) is slightly less prone to completely destroy the latent images, and you get a chance during digitization and reversal to adjust the brightness and contrast to have the best chance to produce watchable video.

Alan Marcus · Answer

Outline of steps / times / temperatures K-14

Removable Jet Black Backing (Rem-Jet) Removal 10 seconds ambient temp subsequently buff-off

Rinse 15 seconds @ 85° -2 +15

First Developer MQ formula 2 minutes 0 seconds 99°F ± 0.05

Wash 45 seconds 85° ± 2

Red light fogging Corning 2403 filter 2.5 millimeters distance 1000 micro-watt second per sq cm

Cyan developer 2 minutes 0 seconds 100°F± 0.1

Wash 2 minutes 100°F± 0.1

Blue light fogging Fish-Schuman LB3 2.2 millimeters distance 230micro-watt second per sq cm

Yellow Developer 4 minutes 0 seconds 100°F± 0.1

Wash 2 minutes 100°F± 0.1

Magenta developer + chemical foggient 100°F± 0.1

Wash 2 minutes 100°F± 0.1

Conditioner 1 minute 0 seconds ambient temperature

Bleach 5 minutes 0 seconds 100°F± 0.1

Fixer 3 minutes 0 seconds 100°F± 0.1

Wash 2 minutes 100°F± 0.1

Rinse 1 minute 0 seconds ambient temperature

Dry 105°F ± 5

All the needed chemicals are easy to find except:
Kodak Dye Coupling Agents
Kodak coupler C-16, (N-[o-acetamido phenethyl]-1-hydroxy-2-napthamide)
Kodak coupler M-38, (1-phenyl-3-[3,4-dichlorobenamido]-5-pyrazolone)
Kodak coupler Y-54, (Alpha-benzoyl-o-methoxy acetanilide

Where to get old K-14 movie film, that was exposed in the 1970's, developed in color?

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