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How can I improve my food photography?

Photography Asked by newphotogie on May 29, 2021

I would like some help with how to achieve these kind of photo looks in my food photography – whether it be camera settings or how to edit, I’d like to achieve a consistent theme and have my images high quality.

I’m shooting on a Sony a7 II with a standard 50mm f/1.8 lens and I don’t know why my photos don’t look sharp, crisp or clear.

The first photo is my attempt; the rest are examples from other photographers of what I’m trying to achieve. These photos have been edited and would like to know how to get the look – seems that the blacks have been emphasized and the images are cool toned – no blue really. I don’t know what else.

Mine:
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Others that I’d like to emulate:
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4 Answers

I'm not really seeing that this can be done "in the edit". A lot of what I'd change would have to be done before the shutter is released.

  1. Depth of field - You're sharp only at the very front of the bowl, nowhere else. Narrower aperture might have been enough to help that. The next two shots after yours are both sharp right where they need to be, at the emphasis point of the product. Note the back of the sandwich plate & the back of the inverted cone are out of focus, but the important bits are right there. [I'm going to ignore the last shot, it doesn't work at all for me.]

  2. Contrast - your light grey background directly crossing between bowl & noodles just makes it look awkward. It feels like not much movement would be needed to change where that occurs, which may improve it, but I'd have picked a different colour 'floor'.

  3. Are those wholewheat noodles? I'd have picked plain. The 'bits' in them just look really unappetising.
    One a personal aesthetic, I'd have picked up fewer noodles. Even the most ardent ramen fan is going to struggle with all that lot in one mouthful ;)

Minor point - are we supposed to be able to read, or at least recognise, that logo on the rear of the dish?

Overall I think the lighting is flat enough, but your background pulls emphasis away from your product. Hardening up the contrast & pulling back the highlights would be a 'quick fix', but a re-frame, better focus at the point of interest & better-contrasting background might do a lot more.

Very gentle re-contrast left, original right…

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Click for larger

Answered by Tetsujin on May 29, 2021

If youre shooting a 1.8 prime lens I would suggest you to stop down to F/2.2 to get sharp results with a decent background blur. Of course this might not be necessary for each lens but most lenses tend to be a little bit soft wide open. If you are uploading your images to instagram then I would suggest you to try out the highpass filter in photoshop to sharpen your images. In my experience the sharpening in lightroom is good for prints but since you might not look at your images from very close I think the highpass filter creates a much sharper looking "small image".

However I dont think the images you shared have any kind of edit in common. Before I would think about getting good pictures from edits I would try to improve my lighting. Lighting is everything. The most contrasty, colorful and sharp looking images come from flash photography.

Answered by Arjihad on May 29, 2021

In addition to what other people have said, I would also pay closer attention to the composition. You've cropped off the left hand side of the bowl, which you'll only be able to rescue in post with some ninja Photoshop skills!

Your shot is also taken at a slightly different angle to the reference photos; those were taken pretty much straight on to the products, meaning the photographer was able to include some interest in the background, whereas yours is taken at an angle whereby the only background interest is the table.

Answered by Matt Dunn on May 29, 2021

Depth of field and angle: Look at your angle, look at theirs. Everybody else is shooting straight on, directly square at the subject. You're shooting from above, at an oblique angle. That's going to place your depth of field, especially with a bigger aperture like f/1.8, at a plane that only gets the noodles on the chopsticks and the front of the bowl in focus. If you were shooting square on, all the noodles would be in focus, though the bowl may not be. There are reasons the most common food shot angles you'll see are directly overhead, or square-on.

Aperture and (possibly) lens. You also need to learn not to shoot wide open all the time, so that you get enough DoF to cover your subject, and you can increase the sharpness of your lens. The Canon EF 50mm f/1.8 is notorious for being soft wide open and sharpens up considerably by f/4. But I will also note that macro lenses can typically achieve better close focus, and are always going to be the sharpest lenses in any lineup.

Lighting. While the first and third of the shots you want to emulate may well be done in natural light, the ice cream sundae one could be lit with a off-camera lighting gear and a modifier for the soft light, like a softbox. This gives the photographer the ability to use low ISO with smaller aperture settings.

Background, styling. Background gives ambiance and context to each of the images: a restaurant, a party, a street stand. Your shot? No context. And also strong enough graphical elements to fight for attention with your bowl of noodles. And the ramen, while I'm sure it was delicious, doesn't have the type of styling to make it look delicious. Someone else already having tucked into a dish isn't necessarily as appealing as the dish presented to you by the waiter, not yet eaten. Again, note how the shots you want to emulate are pre-consumption, not mid-consumption. But more than that, the spoon, chopsticks, bowl, bowl logo, and ramen bowl toppings could have been used as graphic elements before you mixed things up.

On the plus side, your light was good (that slightly high key look is spot on), and your white balance is terrific. Those are typically the two things food photography beginners get wrong.

Answered by inkista on May 29, 2021

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