English Language & Usage Asked on April 1, 2021
Sentences (1) and (2) have the form of 2nd conditional, which is unreal at the time of utterance (In this text, the time is past, which is natural in grammar and usage in my intuition). However, some instructors (who explain the paragraph below) say that though (1) and (2) have the same sentence structure, (2) is interpreted as the possible past (real), which means ‘Picasso’ could have gotten warmer ~ or not and the author still doesn’t know the two possibilities. But, I don’t, cannot buy that. But they insist that the interpretation is possible, depending on its context. What do you think of this?
(1)If creators knew when they were on their way to fashioning a masterpiece, their work would progress only forward: they would halt their idea-generation efforts as they struck gold. But in fact, they backtrack, returning to versions that they had earlier discarded as inadequate. In Beethoven’s most celebrated work, the Fifth Symphony, he scrapped the conclusion of the first movement because it felt too short, only to come back to it later. Had Beethoven been able to distinguish an extraordinary from an ordinary work, he would have accepted his composition immediately as a hit. When Picasso was painting his famous Guernica in protest of fascism, he produced 79 different drawings. Many of the images in the painting were based on his early sketches, not the later variations. (2)If Picasso could judge his creations as he produced them, he would get consistently “warmer” and use the later drawings. But in reality, it was just as common that he got “colder.”
Native speakers don’t typically consider conditional class numbers when constructing conditionals. These are simply categorisations - with categories that can change from one grammar to another. As such, this answer will focus on the content and interpretation of your sentence of interest:
If Picasso could judge his creations as he produced them, he would get consistently “warmer” and use the later drawings. But in reality, it was just as common that he got “colder.”
Your question is whether the protasis (‘if’ part) can be considered to be a real ‘choice’. Naturally, this needs to be answered in the context provided context. That is, did the author pose the conditional as real or ‘unreal’?
In the given paragraph, the author posits that artists who ‘know’ they are on a ‘winning’ track would stay on that track, and that deviating from the ‘winning’ track demonstrates that they didn’t ‘know’ they were on it at the time.
Given this context, the Picasso protasis sounds ‘real’. That is, the author believes that Picasso would have acted on the information. The hypothetical phrasing allows this belief to be held consistently with the fact that Picasso didn’t act on the information, with the conclusion that the information wasn’t available to Picasso.
Answered by Lawrence on April 1, 2021
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